Sandro Botticelli
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Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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Frans Hals
Gruppenportrat der Regentinnen des Altfrauenhospitzes in Haarlem

ID: 87549

Frans Hals Gruppenportrat der Regentinnen des Altfrauenhospitzes in Haarlem
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Frans Hals Gruppenportrat der Regentinnen des Altfrauenhospitzes in Haarlem


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Frans Hals

1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.  Related Paintings of Frans Hals :. | Malle Babbe,die Hex von Harrlem | portratt av sara andriesch hessix | Portrait of a Man. | Portrait of a woman | St.Jorisdoelen in Haarlem |
Related Artists:
Vital Jean De Gronckel
Vital Jean de Gronckel (1820 - 1890, Belgian)
Ford Madox Brown
1821-1893 English painter and designer. The son of a retired ship's purser who had settled at Calais, Brown received an academic training under Albert Gregorius (1774-1853) at Bruges, under Pieter van Hanselaere (1786-1862) at Ghent and under Baron Gustaf Wappers at the Academie in Antwerp (1837-9). He moved to Paris in 1840, married the following year and studied independently of the ateliers
Jean-Jacques Henner
1829-1905 French Jean Jacques Henner Galleries French painter. He was born into a peasant family in the Sundgau and received his first artistic training at Altkirch with Charles Goutzwiller (1810-1900) and later in Strasbourg in the studio of Gabriel-Christophe Gu?rin (1790-1846). In 1846 he enrolled at the Ecole des Beaux-Arts in Paris as a pupil of Michel-Martin Drolling and, from 1851, of Francois-Edouard Picot. While a student he was particularly drawn to portraiture, and during his frequent visits to Alsace he made portraits of his family as well as of the notables of the region. He also painted scenes of Alsatian peasant life.






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